Lost in Thought

Artist : Tony Cragg

Year : 2012

Size : 50x220x300 cm

Media : Wood

connection between this artwork and my practice:

The first reasons that I have collected this item was the title and the form of the artwork.

Cragg has a strong connection with the making process and his use of material. He states that making is a path way for his life. Each of his works leads him to new forms and new idea to make new work and express new emotions.

He is informed by the materiality of the material he uses – but he intervenes and sculpts with his own formal values. he pushes the materials he uses to do something and become something that wasn’t thought to be possible. he uses traditional materials in constructional – different way.

Similarity of my ideas to his, comes together when he says: ” Good ideas don’t make good art necessary”. Making is not only one unique decision, through making we make many decision and express many ideas. It’s a combination of thoughts that happen during time, combination of different emotions and feelings create a unique form.

Recently In my research, I have thought a lot about why I try to create new forms? and why something as a unique formless and nonrepresentational form specifically. Looking at his work I think I found some answers to my questions . His work is unique and not boring for me, even though he has some form which is figurative or representational but because he combines these forms with other forms to create a new conversation.

Sculpting is moving and forming material, experimenting with the material. it is important to mention, he constantly works and combines forms, making something quite organic, voluminous and curved with so many layers out of something as structured as wood. it looks so planned out with sections and mapping and highly processual. I believe that makes him impressive.

Cretto

Artist : Alberto Burri

Year : 1975

Size : –

Media : Acrovinyl on cellotex

connection between this artwork and my practice:

Burriā€™s career came in the form of an aesthetic, he exaggerated the processes that led to the natural appearance of fine, hairline cracks in various painting mediums as they aged over time and I use medium which I can create the feeling of aged or changed during the time through making process.

There are a few connection between Burri’s work and mine:

The simplest are : his exploration of abstract art, and his interest in Joan Miro’s artwork.

The next one is the way he uses different materials and pushes the boundary of painting, He confounds the meaning of sculpture and painting and questions the border between them.

The last one is the exploring beauty in his process-based works, the use of texture and formless which is the effect of materiality of his work.

Although his works contain the subject of trauma that is different to my subject of no definition or translation of my work, the use of material and the aesthetic of them and the way he explores the surface aligns with my work.

Clay Painting (for John Cage and Merce Cunningham)

Artist : Robert Rauschenberg

Year : 1992

Size : 43.5 x 57.8 x 6 cm

Media : Unfired clay on wood panel

connection between this artwork and my practice:

I have selected this artwork only in relation to my new work in which I used clay to paint.

I have a similar feeling about Rauschenberg and Alberto Burri. The texture of material the forms that material created during the time and making process is what I search for in both of these artwork. This work is more significant because Rauschenberg used clay as his materials.

To see a trace of artist’s fingerprint, hand making, and seeing making process are other important elements in this artwork.

Rauschenberg, similar to Burri questions the boundaries between painting and sculpture.