Right After

Eva Hesse - Right After
Eva Hesse – Right After

Artist : Eva Hesse

Year : 1969

Size : 5 × 18 × 4 ft (152.39 × 548.61 × 121.91 cm)

Media : Fiberglass

connection between this artwork and my practice:

Eva  originally pursued a career in commercial textile design, which is close to me as a commercial ceramist and how she become postmodern artist by exploring the use of the simplest materials to create  biomorphic and geometric forms.

Similarity of Eva Hesse’s works to my projects is the simplicity of the forms and our methods of using materials and objects to draw, paint and sculpt in space but our connection is way deeper than forms. There are personal connections such as “The artist’s struggle between impulses that causes a piece to be started and what actually happens, more freely, once its creation has begun” or “such a pragmatic tearing and reconfiguring freed Hesse from making decisions about the forms in advance”

she shows use of hand

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Vertiginous Detour

Eva Hesse - Vertiginous Detour
Eva Hesse – Vertiginous Detour

Artist : Eva Hesse

Year : 1966

Size : ball 16 1/2 in. (41.9 cm) diameter; rope: approx. 154 in. (391 cm) long

Media : Acrylic and polyurethane on papier-mâché, rope, and net

connection between this artwork and my practice: Hesse was interested in the process of making, the importance of hand making, creating inner and outer spaces in her work, her perception of the negative spaces and other elements and their beauties. “If you use fiberglass clear and thin, light does beautiful things to it …it is there__ part of its anatomy” adds extra similarity to my projects in addition to our similarities in use of biomorphic and geometric abstraction or transferring line in space.

I am interested in her work and specially this sculpture because of geometric aesthetic and Balance, hanging from the ceiling, organic form and being a minimal installation. Shadow and light and the way she created the sculpture by letting the weight of the ball shape the net art are other important elements.

Grand Boules

Sheila Hicks - Grand Boules
Sheila Hicks – Grand Boules

Artist :  Sheila Hicks

Year : 2009

Size

Media : textile

connection between this artwork and my practice:

Sheila Hicks is one of the most recent artists I have found and I believe she and her work will help me a lot in most of my works. Hicks’ media is textile and she has all sort of work from commercial objets to massive installations.

She paints and sculpts in space. Connection between her, site-specific installations and space, wall hanging objects, transforming a space through colour-soaked and large-scale sculpture  are all fascinating.

Cordes Sauvages Pow Wow

Sheila Hicks - Cordes Sauvages Pow Wow
Sheila Hicks – Cordes Sauvages Pow Wow

Artist : Sheila Hicks

Year : 2015

Size : 26 Elements 250 x 20 cm, 98 3/8 x 7 7/8 ins, each

Media : Installation Cotton, wool, linen, silk, bamboo, synthetic fibres

connection between this artwork and my practice:

Hicks’s material is her visual language to talk about her feelings. She uses traditional techniques in a minimal way to create a composition of colours, lines and textures in her work.

I first collected this art work only because I liked the form and relationship between the lines and colours, but now I am more interested on the forms of the lines individually and in the group also relationship of them to the space. She has a wonderful understanding of space and architecture how, she engages and activates  her work with space create unique composition.

In one of her interviews she mentioned that she works the same way that ceramists do.

The other aspect is feeling her body was involved, making process and also using traditional method and go against it are other connections.

This artwork and Eva Hesse’s “Right After” are the main inspiration for one of my projects.

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Sculpture as Place

Carl Andre - Sculpture as Place
Carl Andre – Sculpture as Place

Artist : Carl Andre

Year : 1958–2010

Size

Media : Installation

connection between this artwork and my practice:

Carl Andre uses the same sculpture forms such as cubes in different versions of installation. Repetition of simple geometric form in large scale and they way they interact the them creates ascetic pleasure. His semi-industrial, physical structures took all my attention to this artwork.

his minimal artwork and connection of each sculpture form with the space and repetition of the objects are what connects my projects to his work.

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