{"id":1547,"date":"2019-05-20T11:30:02","date_gmt":"2019-05-20T01:30:02","guid":{"rendered":"https:\/\/blog.elnaz.melbourne\/?p=1547"},"modified":"2019-06-02T18:08:25","modified_gmt":"2019-06-02T08:08:25","slug":"clay-painting-for-john-cage-and-merce-cunningham","status":"publish","type":"post","link":"http:\/\/localhost\/2019\/05\/20\/clay-painting-for-john-cage-and-merce-cunningham\/","title":{"rendered":"Clay Painting (for John Cage and Merce Cunningham)"},"content":{"rendered":"\n
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Artist<\/strong> : Robert Rauschenberg<\/p>\n\n\n\n

Year<\/strong> : 1992<\/p>\n\n\n\n

Size<\/strong> : 43.5 x 57.8 x 6 cm<\/p>\n\n\n\n

Media<\/strong> : Unfired clay on wood panel<\/p>\n\n\n\n

connection between this artwork and my practice: <\/strong><\/p>\n\n\n\n

I have selected this artwork only in relation to my new work in which I used clay to paint.<\/p>\n\n\n\n

I have a similar feeling about Rauschenberg and Alberto Burri. The texture of material the forms that material created during the time and making process is what I search for in both of these artwork. This work is more significant because Rauschenberg used clay as his materials. <\/p>\n\n\n\n

To see a trace of artist’s fingerprint, hand making, and seeing making process are other important elements in this artwork.<\/p>\n\n\n\n

Rauschenberg, similar to Burri questions the boundaries between painting and sculpture.<\/p>\n","protected":false},"excerpt":{"rendered":"

Artist : Robert Rauschenberg Year : 1992 Size : 43.5 x 57.8 x 6 cm Media : Unfired clay on wood panel connection between this artwork and my practice: I have selected this artwork only in relation to my new work in which I used clay to paint. I have a similar feeling about Rauschenberg and Alberto … <\/p>\n