{"id":771,"date":"2019-04-01T18:59:52","date_gmt":"2019-04-01T08:59:52","guid":{"rendered":"https:\/\/blog.elnaz.melbourne\/?p=771"},"modified":"2019-05-31T12:40:57","modified_gmt":"2019-05-31T02:40:57","slug":"right-after","status":"publish","type":"post","link":"http:\/\/localhost\/2019\/04\/01\/right-after\/","title":{"rendered":"Right After"},"content":{"rendered":"
\"Eva
Eva Hesse – Right After<\/figcaption><\/figure>\n

Artist<\/strong> :\u00a0Eva Hesse<\/p>\n

Year<\/strong> :\u00a01969<\/span><\/p>\n

Size<\/strong> :\u00a05 \u00d7 18 \u00d7 4 ft (152.39 \u00d7 548.61 \u00d7 121.91 cm)<\/span><\/p>\n

Media<\/strong> :\u00a0Fiberglass<\/p>\n

connection between this artwork and my practice:<\/strong><\/p>\n

Eva\u00a0\u00a0originally pursued a career in commercial textile design, which is close to me as a commercial ceramist and how she become postmodern artist by exploring the use of the simplest materials to create\u00a0 biomorphic and geometric forms.<\/p>\n

Similarity of Eva Hesse\u2019s works to my projects is the simplicity of the forms and our methods of using materials and objects to draw, paint and sculpt in space but our connection is way deeper than forms. There are personal connections such as \u201cThe artist\u2019s struggle between impulses that causes a piece to be started and what actually happens, more freely, once its creation has begun\u201d<\/span> or \u201csuch a pragmatic tearing and reconfiguring freed Hesse from making decisions about the forms in advance\u201d<\/span><\/p>\n

she shows use of hand<\/p>\n

https:\/\/theartstack.com\/artist\/eva-hesse\/right-after<\/a><\/p>\n

\u00a9 The Estate of Eva Hesse. Courtesy Hauser & Wirth<\/p>\n","protected":false},"excerpt":{"rendered":"

Artist :\u00a0Eva Hesse Year :\u00a01969 Size :\u00a05 \u00d7 18 \u00d7 4 ft (152.39 \u00d7 548.61 \u00d7 121.91 cm) Media :\u00a0Fiberglass connection between this artwork and my practice: Eva\u00a0\u00a0originally pursued a career in commercial textile design, which is close to me as a commercial ceramist and how she become postmodern artist by exploring the use of … <\/p>\n

Continue reading “Right After”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[106,114,124,43,135,132,51],"tags":[111,16,125,66,113,165,164,161],"yoast_head":"\nRight After - Elnaz's Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/localhost\/2019\/04\/01\/right-after\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Right After - Elnaz's Blog\" \/>\n<meta property=\"og:description\" content=\"Artist :\u00a0Eva Hesse Year :\u00a01969 Size :\u00a05 \u00d7 18 \u00d7 4 ft (152.39 \u00d7 548.61 \u00d7 121.91 cm) Media :\u00a0Fiberglass connection between this artwork and my practice: Eva\u00a0\u00a0originally pursued a career in commercial textile design, which is close to me as a commercial ceramist and how she become postmodern artist by exploring the use of … Continue reading "Right After"\" \/>\n<meta property=\"og:url\" content=\"http:\/\/localhost\/2019\/04\/01\/right-after\/\" \/>\n<meta property=\"og:site_name\" content=\"Elnaz's Blog\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/elnazceramics\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/elnazceramics\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-01T08:59:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-31T02:40:57+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/localhost\/wp-content\/uploads\/2018\/10\/Eva_Hesse_Right_after__1969__fiberglass__wire__sculpture__polyester_resin__abstraction__Post-Minimalism.jpg\" \/>\n<meta name=\"author\" content=\"Elnaz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elnaz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\n\t \"@context\": \"https:\/\/schema.org\",\n\t \"@graph\": [\n\t {\n\t \"@type\": \"Article\",\n\t \"@id\": \"http:\/\/localhost\/2019\/04\/01\/right-after\/#article\",\n\t \"isPartOf\": {\n\t \"@id\": \"http:\/\/localhost\/2019\/04\/01\/right-after\/\"\n\t },\n\t \"author\": {\n\t \"name\": \"Elnaz\",\n\t \"@id\": \"http:\/\/localhost\/#\/schema\/person\/ef289dedaed8b09909d935e410825534\"\n\t },\n\t \"headline\": \"Right After\",\n\t \"datePublished\": \"2019-04-01T08:59:52+00:00\",\n\t \"dateModified\": \"2019-05-31T02:40:57+00:00\",\n\t \"mainEntityOfPage\": {\n\t \"@id\": \"http:\/\/localhost\/2019\/04\/01\/right-after\/\"\n\t },\n\t \"wordCount\": 173,\n\t \"publisher\": {\n\t \"@id\": \"http:\/\/localhost\/#\/schema\/person\/ef289dedaed8b09909d935e410825534\"\n\t },\n\t \"keywords\": [\n\t \"b2\",\n\t \"balance\",\n\t \"C1\",\n\t \"contemporary art\",\n\t \"Eva Hesse\",\n\t \"making process\",\n\t \"Minimalism\",\n\t \"Post-Minimalism\"\n\t ],\n\t \"articleSection\": [\n\t \"abstract forms\",\n\t \"b1 round 2\",\n\t \"C1 round 1\",\n\t \"Installation\",\n\t \"line\",\n\t \"relationship between forms and space\",\n\t \"Repetition\"\n\t ],\n\t \"inLanguage\": \"en-AU\"\n\t },\n\t {\n\t \"@type\": \"WebPage\",\n\t \"@id\": \"http:\/\/localhost\/2019\/04\/01\/right-after\/\",\n\t \"url\": \"http:\/\/localhost\/2019\/04\/01\/right-after\/\",\n\t \"name\": \"Right After - 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